Search results for 'painting'
-
Lefranc Safflower Oil
Starting at: £8.40
Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720. From their website: Safflower Oil enhances the fluidity of oil paintings. Lighter in colour than Linseed Oil, it does not yellow and dries faster than Poppy Seed Oil. It improves the flow of the paste and the intensity and transparency of colours. It also works particularly well with different white shades and light colours. Learn More -
Liquitex Acrylic Varnish Matt
Starting at: £17.35
Use as varnish over finished paintings. Learn More -
Winsor & Newton Picture Varnish Aerosol
Starting at: £16.10
Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More -
Spectrum Beeswax in White Spirit
Starting at: £16.50
From the Cranfield website:
A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects.
Learn More -
Roberson Safflower Oil
Starting at: £6.40
Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.
Learn More -
Talens Picture Varnishes Aerosol
Starting at: £13.00
Aerosol varnish for oil paintings. Gloss or Matt finishes. Unable to send overseas. Learn More -
Roberson Beeswax Picture Varnish
Starting at: £8.80
A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More -
Winsor & Newton Griffin Alkyd Oil Colour
Starting at: £5.95
Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More -
Liquitex Acrylic Varnish Satin
Starting at: £17.35
Use as varnish over finished paintings. Learn More -
Roberson Matt Picture Varnish
Starting at: £7.00
Ketone resin/white spirit microcrystalline wax. Clear, tough protection without gloss. Useful overpaintings where resinous media have been used. Unable to send overseas. Learn More -
Cornelissen Canada Balsam
Starting at: £20.10
Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.
Learn More -
Zest-it Turpentine Substitute
Starting at: £7.40
Specially formulated non-toxic alternative to conventional thinners. Can be used as a substitute for turpentine. Ideal for asthmatics and those allergic to normal thinners. Reduces lingering smell normally generated by oil painting, has a citrus fragrance. Learn More -
Winsor & Newton Retouching Varnish Aerosol
Starting at: £16.10
Temporary protection for oil paintings less than 6 months old. Contains: Ketone resin. Unable to send overseas. Learn More -
Cornelissen Walnut Oil
Starting at: £6.50
The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.
Learn More -
Talens Acrylic Picture Varnishes Aerosol
Starting at: £13.00
Aerosol varnish for oil or acrylic paintings. Gloss or Matt finishes. Unable to send overseas. Learn More -
Winsor & Newton Artists' Matt Varnish
Starting at: £8.05
Ketone resin/silica/white spirit. Pale translucent liquid dries quickly to matt film. Can be mixed with Gloss Varnish to alter finish. Not suitable for highly absorbant cracked paintings. Learn More -
Lefranc Retouching Varnish Extra Fine
Starting at: £7.80
Acrylic resin/quick drying petroleum. Colourless and non-yellowing. Allows you to touch up ols paintings. Temporary and insulating varnish. Satin finish. Learn More -
Roberson Poppy Oil
Starting at: £8.80
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
Learn More -
Maimeri Retouching Varnish Aerosol
Starting at: £13.45
Call to Order
Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old. Unable to send overseas. Learn More -
Roberson Exhibition Varnish
Starting at: £6.80
Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit. Unable to send overseas. Learn More -
Winsor & Newton Artists' Oil Colour 37 ml
Starting at: £8.90
This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More -
Liquitex Acrylic Varnish High Gloss
Starting at: £39.50
Use as varnish over finished paintings. Learn More -
Schmincke Medium W
Starting at: £8.05
Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.
Dosage: 50%
Thinner: Water
Learn More -
Schmincke Mussini Oil Medium 2
Starting at: £7.95
A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.
From the Schmincke website:
Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.
ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin
Learn More -
Daler-Rowney Cryla 75ml
Starting at: £8.30
Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More -
Gamblin Gamvar Varnish Gloss
Starting at: £14.00
Call to Order
Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More -
Gamblin Solvent-Free Fluid Medium
Starting at: £11.00
Gamblin Solvent-Free Fluid is an oil painting medium created by the American company Gamblin. They write:
"Gamblin Solvent-Free Fluid painting medium gives oil colours more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colours – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid."
Learn More -
Roberson Solid Metal Sticks
Starting at: £14.90
Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More -
Spectrum Linseed Oil Paste
Starting at: £13.60
From the Cranfield website:
An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.
Learn More -
Talens Retouching Varnish Aerosol
Starting at: £13.00
Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry. Unable to send overseas. Learn More
Currently Shopping by:
- Category: Oils & Acrylics Remove This Item
Shopping Options
- Category
-
- Oil Colours (6)
- Oil Colour Sets (1)
- Metallic Oil Bars (1)
- Solvents and Balsams (8)
- Linseed and Cold Pressed Oil (8)
- Mediums and Siccatives (21)
- Artists Acrylics (3)
- Acrylic Mediums (1)
- Varnishes (17)
- Manufacturer
-
- Cornelissen (5)
- Daler-Rowney (3)
- Gamblin (7)
- Lascaux (1)
- Lefranc et Bourgeois (5)
- Liquitex (5)
- Maimeri (1)
- Roberson (16)
- Schmincke (8)
- Spectrum (2)
- Winsor&Newton (6)
- Zest-It (2)
- Talens (3)
You have no items in your shopping basket.
- Search Brands
-