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Search results for 'wax'

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  1. Liquid Glass Mediums

    Liquid Glass Mediums

    Starting at: £19.50

    Renaissance Materials by Dr. David Cranswick.

    A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

    Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

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  2. Roberson Solid Metal Sticks

    Roberson Solid Metal Sticks

    Starting at: £14.90

    Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More
  3. Roberson Impasto Medium

    Roberson Impasto Medium

    Starting at: £14.70

    Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.

    Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.

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  4. Gamblin Gamblin Mediums Set

    Gamblin Gamblin Mediums Set

    £30.00

    A selection of the Gamblin range of oil mediums.

    Contains: 59ml Gamsol; 59ml Refined Linseed Oil; 59ml Neo Megilp; 59ml Galkyd Lite; 59ml Cold Wax Medium; 37ml Solvent-Free Gel

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  5. Lefranc Clear Matt Picture Varnish (LIMITED STOCK)

    Lefranc Clear Matt Picture Varnish (LIMITED STOCK)

    Starting at: £10.80

    Beeswax/Damar resin/rectified turpentine. Dries well and gives perfect transparency and mattness. Flexible with little tendency to yellow. Learn More
  6. Roberson Poppy Oil

    Roberson Poppy Oil

    Starting at: £8.80

    Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.  

    Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

    Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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  7. Roberson Matt Picture Varnish

    Roberson Matt Picture Varnish

    Starting at: £7.00

    Ketone resin/white spirit microcrystalline wax. Clear, tough protection without gloss. Useful overpaintings where resinous media have been used. Unable to send overseas. Learn More
  8. Daler-Rowney Artists' Oil Colour

    Daler-Rowney Artists' Oil Colour

    Starting at: £9.30

    The distinctive buttery consistency of Daler-Rowney Artists' Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Learn More
  9. Roberson 1810 Medium

    Roberson 1810 Medium

    Starting at: £25.90

    This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

    Contains: Stand oil,Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

    Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

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  10. Roberson Studio Safe Beeswax Medium

    Roberson Studio Safe Beeswax Medium

    Starting at: £14.30

    A safe wax medium for impasto effects. This medium retains palette knife marks and brush strokes, remains thick and doubles paint easily, drying to a matt finish.

    Studio Safe products are non-aromatic, non-flammable, and have a pleasant orange smell.

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  11. Spectrum Beeswax in White Spirit

    Spectrum Beeswax in White Spirit

    Starting at: £16.50

    From the Cranfield website:

    A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects.

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  12. Roberson Beeswax Picture Varnish

    Roberson Beeswax Picture Varnish

    Starting at: £8.80

    A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More
  13. Gamblin Cold Wax Medium

    Gamblin Cold Wax Medium

    Starting at: £10.30

    Cold Wax medium is made by Gamblin. They say:

    "Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."

    Please see below for more information.

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