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  1. Liquid Glass Mediums

    Liquid Glass Mediums

    Starting at: £19.50

    Renaissance Materials by Dr. David Cranswick.

    A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

    Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

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  2. Casein Lactic

    Casein Lactic

    Starting at: £18.30

    Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.

    Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.

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  3. Illumination Gold and Colour Book

    Illumination Gold and Colour Book

    £15.00

    Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More
  4. Watercolour paint making set

    Watercolour paint making set

    Starting at: £0.40

    A collection of equipment and ingredients useful for making watercolour by hand. This selection of quality materials has been put together for the begginer and intermediate paint maker alike. This set includes:

    Equipment to mix the paint and fill watercolour pans:

    Glass slab with hardwood stand

    Cornelissen small muller

    Small (half pan) and large (full pan) watercolour pan

    Ingredients to make the watercolour binder :

    Roberson Gum Arabic

    Roberson Ox Gall

    Equipment for painting:

    Cornelissen 80a sables brushes in sizes 3 & 6

    cermaic palette in flower shape

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