Search results for 'comp'

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. 

Learn More

Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

The Unison classic Starter 8 set, specially selected by John Hersey for a perfect starter pastel set. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.

Learn More

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More

This pencil set comprising of the highest quality strongly pigmented coloured pencils is a perfect companion when sketching on the go. Pair it with one of our enamel watercolour sets and watercolour postcard books for a compact art set for plein air painting.

Learn More

Techniques of Icon and Wall Painting - Egg Tempera, Fresco, Secco by Aidan Hart. The most comprehensive description to date of the techniques, formulae and history of Icon and Wall Painting. The book is beautifully designed and over its 490 pages, there are 450 coloured images and 180 drawings. Cornelissen materials are included in the text and in the images. Learn More

Japanese Drawing Ink Paste Learn More

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More

Azure Blue Pigment (PB28). Inorganic pigment made from various aluminium, zinc and cobalt compounds. Semi-opaque. Weak tinting strength. Excellent Lightfastness.

Toxicity: C

Limeproof

Learn More

PG19

Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and  forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

Toxicity: B

Learn More

Extra Soft (35 shore) NBR rubber rollers suitable for fine relief printing (lino, wood engraving and wood cut) and intaglio applications. The surface of the soft rubber is machined several times with a special grinder to achieve the complete smoothness of the rollers. Solid heavy metal handle. Each roller is supplied in secure wooden box. Learn More

PY43

Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna. 

Toxicity B

Learn More

Winsor & Newton Cotman Student Set 14 Half Pans Learn More

Winsor & Newton Artists Compact Set 14 Half Pans Learn More

Faber-Castell Pitt Compressed Charcoal Learn More

Complete Mokuhanga set for beginners. This set includes; 1x Sosaku inking brush 15mm, 1x Tokibo carrying brush for glue, 5pcs pencil style carving tools in a plastic case including; 7mm Aisuki (flat), 10mm Hangi-toh (knife), 3mm Komasuki (U), 3mm Sankatu-toh (V), 6mm Asamaru (shallow U), 1x plastic inking dish, 1x plastic baren 120mm, 1x shina plywood 160mm x 110mm, 1 x pack of 4 colours of waterbased printing in premixed with glue paste. Learn More

Conte Compressed Charcoal Learn More

Cornelissen Compressed Litho Sponge. Designed to keep the litho stone wet during printing. It can be used for preparing printmaking or watercolour paper. Learn More

Compressed Etching Blankets (Flannel). Finest quality woven blankets used for fronting. 2.5mm (1/8 inch) thickness. Prices per centimeter. Please specify the exact length in centimetres under the quantity box. Learn More