Search results for 'varnish brush'
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Omega Series 40 Varnish
Starting at: £6.20
Flat soft hog hair in cupro-nickel ferrule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces. Learn More -
da Vinci Series 5040 Cosmotop Varnish
Starting at: £13.60
Dark brown, extra strong synthetic hair with black polished handle, tin ferrule. Learn More -
da Vinci Series 5080 Cosmotop Varnish
Starting at: £13.55
Light brown, extra smooth and soft synthetic hair with black polished handle, tin ferrule. Learn More -
Roberson Liquid Metal Brush
Starting at: £12.00
A high quality multi-purpose golden synthetic fibre brush with plain wood handle and rustproof steel ferrule. This brush was originally developed for use in our testing laboratory and has been specifically designed for use with the Roberson Liquid metal range. The micro fine synthetic bristles ensure a high class smooth finish not available with normal acrylic brushes. It is also excellent for applying both acrylic and solvent based varnishes. Learn More -
Cornelissen Ox Flat Lacquer
Starting at: £12.50
Soft but springy hair. For varnishing or lacquering. Also useful for watercolour washes. Learn More -
Cornelissen Squirrel Flat Lacquer
Starting at: £15.00
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Gamblin Gamvar Varnish Gloss
Starting at: £14.00
Call to Order
Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More -
Omega Series 55 Oval Varnish
Starting at: £18.60
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Omega Series 1031 Spalter Varnish
Starting at: £17.40
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Omega Series 1067 Lily Varnish
Starting at: £15.50
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Roberson Clear Shellac Varnish
Starting at: £9.00
Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More -
Lefranc Vibert Retouching Varnish
Starting at: £9.10
Acrylic and ketone resin/quick drying petroleum. This varnish should always be applied using a light scumbling technique with a soft brush. It is also suitable for glazes. Satin finish. Learn More -
Charbonnel Ultraflex Liquid Ground
Starting at: £13.10
Judea bitumen, essence of turpentine, wax. Quick drying with transparent velvety finish. Apply cold with a supple brush. Learn More -
da Vinci Series 560 Ox Lacquer
Starting at: £31.90
Finest quality ox hair suitable for lacquers and fine varnishes. May also be used for watercolour washes. Learn More -
da Vinci Series 5073 Synthetic Mottler
Starting at: £6.15
Very soft synthetic bristles, excellent for all-round use. Bight green handle, grey bristles. Learn More -
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Daniel Smith Watercolour Ground Mars Black 4oz
£10.30Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Zest-it Oil Painting Medium
Starting at: £6.90
Zest-It Oil Painting Medium improves the flow of oil paint and reduces brush strokes. It is suitable for wet-on-wet techniques, especially suitable for blending and glazing without using varnish. Learn More -
Roberson Liquid Metal 250ml
Starting at: £17.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Winsor & Newton Liquin Original
Starting at: £8.05
From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Roberson Linseed Stand Oil
Starting at: £9.40
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.
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Daniel Smith Watercolour Ground Buff Titanium 4oz
£10.30Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Winsor & Newton Liquin Light Gel
Starting at: £8.05
From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Winsor & Newton Distilled Turpentine
Starting at: £6.05
From the Winsor & Newton website: A fast evaporating, highly refined essential oil with the strongest thinning and brush cleaning power of all Artists' grade solvents. Suitable for removing varnish (including Dammar Varnish).Keep tightly closed and away from light to prevent oxidation. Do not use if it has thickened. Learn More -
Roberson Liquid Metal 30ml
Starting at: £6.40
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Roberson Liquid Metal 500ml
Starting at: £30.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Casein Lactic
Starting at: £18.30
Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.
Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.
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Winsor & Newton Liquin Impasto
Starting at: £10.25
From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.
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Artist's Handbook
£29.50By Pip Seymour. The Artist’s Handbook provides artists with in-depth, practical information on the materials, equipment and skills necessary for all areas of artistic practice. Topics covered include advice on how to select appropriate art materials, including paints, brushes, canvases and drawing materials; techniques for making your own paints, glue, varnishes and paper; advice on how to achieve the best results from both manufactured and hand-made materials; the best methods of storing and preserving finished artworks, and health and safety precautions. (520 pages) Learn More -
Gamboge Powder
Starting at: £5.20
Gamboge is a natural tree resin, available as a powder and in the solid "pipe" form. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. In its solid form, Pipe Gamboge does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan.
Larger quantities are available by request.
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