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Omega Series 222 Domed Hog Sash
Starting at: £8.80
Long soft Italian hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. Learn More -
Cobalt Violet Light Pigment
Starting at: £10.00
Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.
Limeproof
Toxicity: C
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Pro Arte Series F Prolene Fan
Starting at: £6.50
Soft synthetic haired fan used for blending and softening adjacent areas of oil and acrylic colour. Learn More -
Masters Brush Cleaner
Starting at: £7.95
Cleans and restores brushes even when clogged for a year. For oil, acrylic, watercolour. Use with water. Learn More -
Lefranc Flashe 400 ml
Starting at: £28.10
* Please be advised that some colours have now been discontinued and are only available while stocks last. Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More -
Daniel Smith Watercolour Ground Buff Titanium 4oz
£10.30Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Aerocolour Inks
Starting at: £7.05
A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More -
Rohrer & Klingner Drawing & Calligraphy Ink 12ml
Starting at: £4.70
Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 24 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More -
Raw Umber Pigment
Starting at: £4.00
PBr7
Raw Umber is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.
Toxicity: B
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da Vinci Series 5570 Cosmotop Nova Round
Starting at: £3.35
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Cornelissen Saunders Waterford WC Books
Starting at: £15.00
Cornelissen Saunders Waterford Watercolour hardback books are available in two sizes: 12 x 17cm and 28 x 35 cm. Each size is available in HP (Hot Pressed) and NOT (Cold Pressed) and contain 30 sheets including end papers / 58 pages. Saunders Waterford paper is 300 gsm mould made, 100% cotton, chlorine and acid free, guaranteeing conservation and inalterability over time. The paper is Gelatine tub sized and calcium carbonate buffered, making it ideally absorbent and retaining its nature unaltered even if scratched. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. Thread bound and branded L. Cornelissen & Son in stamp gold foil.
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Zig Two-Way Glue
Starting at: £2.81
Dual action acrylic glue pen for permanent or temporay bonding. Acid and xylene free. Learn More -
Rohrer & Klingner Drawing & Calligraphy Ink 50ml
Starting at: £7.00
Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 24 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More -
Prussian Blue Pigment
Starting at: £5.20
PB27
Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.
It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.
Toxicity: B
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Omega Series 40 Varnish
Starting at: £6.20
Flat soft hog hair in cupro-nickel ferrule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces. Learn More -
Lascaux Tusche Lift Solution 500ml
£31.20The Lascaux Tusches are a unique range of innovative ready-to-use water-soluble painting materials specially designed for creating positives for light-sensitive printmaking processes. The positives can be used with water-based screenprinting, acrylic-resist etching, solar plate printing and traditional printmaking methods. The Lascaux Lift solution can be used in conjunction with Lascaux Tusche spray for making positives or as a lift in the acrylic-resist etching system. Learn More -
Gypsum
Starting at: £5.70
Gypsum is powdered Calcium Sulphate, a traditional ingredient in gesso grounds used in southern Europe. One of the advantages of preparing your painting surface with gypsum is that it allows for a particularly even absorption of the paint film. It can also be added to acrylic primers to increase absorbency or add tooth to a surface. Learn More -
Golden Silverpoint Ground 237 ml
£20.95Golden Silverpoint Ground 237 ml. A white acrylic ground, recommended as a preparation for all metalpoint drawing techniques. Light, flexible and sandable, great for fine detailed lines. 100% acrylic polymer dispersion which is ready to use, UV resistant, water resistant and has minimum film formation. Directions: For use on porous surfaces, shake the bottle vigorously, then allow to rest for 5 minutes before applying. Allow each coat to dry thoroughly between applications. Learn More -
Omega Series 57 Hog Sash
Starting at: £14.00
Thick flat hog hair brush with sligtly domed shape. Used for thick applications of oil or acrylic paint. Especially good for applying white lead primer to sized linen. Learn More -
Omega Series 70 Hog Fitch Round
Starting at: £11.40
Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. Learn More -
Fumed Silica
Starting at: £13.60
An inert substance with coarse texture and no colouring capability. Use in grounds and to provide tooth to mixed paints. Also used as an adulterant. Can be used for thickening acrylic and oil mediums. Learn More -
Marble Dust
Starting at: £4.70
Imparts textue when added to acrylic mediums and primers. Used in lime mortar. Meets paint pigment specificitions in its fine form. Mesh size: Course (Irregular granules), Medium (16) and Fine (100). Learn More -
Colour Shapers
Starting at: £6.15
Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and appplying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip. Learn More -
Pro Arte Series 101
Starting at: £2.85
Economical, hard-wearing brushes suitable for watercolours and acrylics. They retain their points well. Learn More -
Burnt Green Earth Pigment
Starting at: £8.00
PG23 Burnt Green Earth is a semi-transparent pigment that is stable in all media, although it may be difficult to incorporate into an acrylic binder. A calcined form of Green Earth, it has a low tinting strength, long drying time, and is very lightfast. Toxicity: B Limeproof Learn More -
Daniel Smith Watercolour Ground Mars Black 4oz
£10.30Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Rohrer & Klingner Drawing & Calligraphy Black Ink 1L
£63.00Lightfast pigmented acrylic ink. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More -
Rohrer & Klingner Drawing & Calligraphy Ink 250ml
Starting at: £23.20
Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 22 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More -
Casein Lactic
Starting at: £18.30
Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.
Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.
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da Vinci Series 122 Cosmotop One Stroke
Starting at: £3.50
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More
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