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Roberson Matt Glaze Medium
Starting at: £8.50
Mix with tube oils or pigment to improve flow and translucency, resulting in a satin finish. Contains silica driers. May darken if cap is left off bottle; if this happens, replace the lid and leave overnight to restore the colour with no lasting ill effects.
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Cornelissen Copaiba Balsam
Starting at: £12.40
Copaiba Balsam comes from the South American tree Copaifera landsdorfii. Its primary function is to improve the appearance of paint layers that may have become dull, brittle or sunken upon drying. It is a viscous liquid that may be diluted with turpentine, but which should not be used in painting mediums.
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Gamblin Gamblin Mediums Set
£30.00A selection of the Gamblin range of oil mediums.
Contains: 59ml Gamsol; 59ml Refined Linseed Oil; 59ml Neo Megilp; 59ml Galkyd Lite; 59ml Cold Wax Medium; 37ml Solvent-Free Gel
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Roberson Satin Glaze Medium
Starting at: £8.50
Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork. Learn More -
Talens Retouching Varnish Aerosol
Starting at: £13.00
Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry. Unable to send overseas. Learn More -
Winsor & Newton Stand Linseed Oil
Starting at: £8.05
From the Winsor & Newton website: A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks. Increases film durability. Ideal for glazing and fine detail if mixed with solvent.
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Mussini Wooden Box 10 x 35 ml tubes, 1 x 150 ml white
£150.90Schmincke Mussini Dark Wooden Box Set. 10 x 35 ml tubes, 1 x 150 ml white including charcoal, brushes and mediums. Learn More -
Schmincke Mussini Artists' Oil 150 ml
Starting at: £24.65
Schmincke Mussini Artists' Oil 150 ml Learn More -
Roberson Damar Varnish 5 lb Cut
Starting at: £7.30
Roberson Damar Varnish 5 lb Cut. Unable to send overseas. Learn More -
Roberson White Spirit
Starting at: £6.80
Plastic container. Solvent distilled from crude petroleum oils. Used to thin colour and to clean brushes. Slower drying time than turpentine. Learn More -
Lascaux Remover 1L
£37.70Dried resists are removed by immersing the plate in a tray or tank of Lascaux Remover for 15 to 30 minutes. Learn More -
Lefranc & Bourgeois NEW Oil 12 x 20 ml SET
Regular Price: £92.60
Special Price £74.08
20% DISCOUNT. The set includes 12 x 20ml Tubes: Naples Yellow, Japanese Yellow Light, Lefranc Red, Alizarin Crimson, Ultramarine Blue, Space Blue, Permanent Sap Free, Yellow Ochre, Burnt Umber, Transparent Burnt Sienna, Payne's Grey, Titanium White. Learn More -
Gamblin Galkyd Slow Drying Medium
Starting at: £11.00
Galkyd Slow Drying Medium is created by Gamblin. They write:
"Galkyd Slow Dry thins oil colours and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colours to paint wet-into-wet for at least a day."
Please note: This product has been discontinued, while stocks last.
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Winsor & Newton Safflower Oil 75 ml
£8.05From the Winsor & Newton website: A slow drying oil which improves flow, increases gloss and transparency. Particularly suitable for use with whites and pale colours.
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Winsor & Newton Liquin Light Gel
Starting at: £8.05
From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Cornelissen Canada Balsam
Starting at: £20.10
Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.
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Winsor & Newton Artists' Oil Colour 200 ml
Starting at: £32.20
This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More -
Roberson Exhibition Varnish
Starting at: £6.80
Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit. Unable to send overseas. Learn More -
Spectrum Spectragel Medium
Starting at: £11.85
From the Cranfield website:
This is a thixotropic alkyd medium designed to mix with oil colours, retaining the body of the paint. Spectragel is a gloss medium and is quick drying. It is a clear medium based on a synthetic resin that improves the weather resistance of oil colours; ideal for glazing and extending colours while retaining gloss and structure of paint.
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Lefranc Vibert Medium
Starting at: £6.00
LeFranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.
From their website: The slow-drying J.G. Vibert painting medium holds brush marks, creates a painterly satin film and prevents any sinking. It creates a uniform top film and enables artists to rework old colours for long periods of time.
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Cornelissen Rectified Turpentine
Starting at: £9.00
Volatile colourless liquid distilled from pine sap. Greater wetting powers than white spirit. Used to thin oil paint. Learn More -
Lascaux Soft Resist 500m
£39.00This slower drying resist is designed to offset easily and is used to make soft crayon- or pencil-like drawings, textures from collages and direct broad line drawings. Learn More -
Lefranc Artists' Oil Colours 200 ml NEW
Starting at: £23.36
Lefranc & Bourgeois are the oldest artists' quality colourmen in France, with a rich tradition dating back to 1720. Their Artists' Oil Colours have been extremely finely-ground for a creamy, even consistency. They have excellent lightfastness, an even drying time, and are fully loaded with saturation for exceptional tinting strength. Learn More -
Michael Harding Artists' Oil Colour 225 ml
Starting at: £26.30
Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. Our selection of 225ml size includes colours from series 1,2 and 3. Please contact us for ordering colours from series 4.5,6, and 7. Learn More -
Schmincke Rapid Oil Medium
Starting at: £8.05
Call to Order
Fast drying, increases flow and transparency of oil colours. Paint Fast drying, increases flow transparency of oil colours. Learn More -
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Roberson Artists' Oil Colour 225 ml
Starting at: £29.60
Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.
Available in 40ml and 225ml tubes
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Roberson Gloss Picture Varnish
Starting at: £7.00
B-67/stand oil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming high gloss film. Unable to send overseas. Learn More -
Winsor & Newton Distilled Turpentine
Starting at: £6.05
From the Winsor & Newton website: A fast evaporating, highly refined essential oil with the strongest thinning and brush cleaning power of all Artists' grade solvents. Suitable for removing varnish (including Dammar Varnish).Keep tightly closed and away from light to prevent oxidation. Do not use if it has thickened. Learn More -
Roberson Poppy Oil
Starting at: £8.80
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
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