Search results for 'acrylic'

From the Winsor & Newton website: The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing and blending, or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour and film thickness).Resists yellowing. Not suitable as a varnish or final coat.

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From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.

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Winsor & Newton Oil Palettes Learn More

Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More

Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.

From their website: White Courtrai siccative helps to dry oil colours as it is easy to use. It is important to be precise with the quantities: one drop to one part colour. This direct addition to colour should be carried out with slow-drying colours. It can also be used at 1 to 5% to create painting mediums.

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Roberson Maroger Medium can be mixed in equal parts with oil colours to give a lasting brilliance and workable consistency to paints. It prevents sinking when using a wet-in-wet techniques.

Contains: Damar Resin, Gum Arabic, Linseed Oil

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Lascaux ARE Etching Set 3991. Containing one 85ml bottle each of: 2090 Lascaux Hard Resist, 2091 Lascaux Plate-backing Resist, 2092 Lascaux Stop-out Resist, 2093 Lascaux Soft Resist, 2094 Lascaux Wash Resist, 2095 Lascaux Aquatint Spray Resist, 2096 Lascaux Black coating for Hard Resist, 2097 Lascaux White coating for Hard Resist, 2098 Lascaux Remover. Learn More

Galkyd Light is produced by Gamblin. They write:

"Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."

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Studio Safe Liquid Medium is a mix of Studio Safe Solvent and natural artists' oils. It is used to thin paint and increase gloss. This product is non-aromatic, non-flammable and has an orange scent. Learn More

Michael Harding Artists Oil Colour Chart Learn More

A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.

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Old Holland Early Oil Colours Learn More

Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

Available in 40ml and 225ml tubes

Zinc White and Titanium White only available in this intermediate size of 120ml

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Ketone resin/standoil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming. Unable to send overseas. Learn More

To speed up drying time and add luminosity and depth to paint film. While stock lasts. Learn More

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its slight yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More

This tough scratch-resistant coloured resist is painted onto the back and edges of the plate to prevent any biting during the etching process. Learn More

20% OFF LAUNCH DISCOUNT Lefranc & Bourgeois are the oldest artists' quality colourmen in France, with a rich tradition dating back to 1720. Their Artists' Oil Colours have been extremely finely-ground for a creamy, even consistency. They have excellent lightfastness, an even drying time, and are fully loaded with saturation for exceptional tinting strength. This brand new range of 120 colours includes the introduction of 37 new colours to provide artists with a greater choice of shades, tones and opacity across the spectrum, whilst retaining unique Lefranc colours. The new range contains 37 new shades including Cadmium-Free colours, 45 unchanged colours (including 19 best sellers) and 38 improved colours with better strength, improved shades and tones and more single pigment based colours. For more information regarding proposed replacements vs the old L&B range download the PDF below the colour range. Learn More

Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Winsor & Newton Damar Varnish Learn More

From the Winsor & Newton website: Darker than refined Linseed Oil, this oil promotes the fastest drying rate of all the oils, whilst increasing gloss. Improves flow. Increases gloss transparency. Add to other oils to speed drying.

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Schmincke Norma Wooden Set 11 x 35 ml tubes, 2 brushes and accessories Learn More

From the Cranfield website:

A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects.

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From the Cranfield website:

This free flowing, slightly thixotropic medium is alkyd based and will not increase gloss when added to oil colours. It is quick drying.

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Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.

From their website: Natural spike lavender oil is obtained by distilling lavender. It evaporates very slowly, making it ideal for producing very precise, transparent brush strokes. It is used to create preliminary sketches. Mixed with a medium, it activates the retarder effect.

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Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.

Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.

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Cold Wax medium is made by Gamblin. They say:

"Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."

Please see below for more information.

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A highly efficient and safer solvent for oil paint. Studio Safe is non-aromatic and non-flammable and has a pleasant orange smell. Use for brush cleaning and the thinning of paint and as an alternative to traditional turpentine and white spirit.

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Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.

From their website: The impasto medium is a dense texture paste. It contains highly malleable mastic which enables artists to thicken the paint and create hard impastos. The brush strokes become more defined and hold a crisp relief over time. It can be combined with Flemish medium to create more dramatic impastos.

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