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Cornelissen Walnut Oil
Starting at: £6.50
The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.
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Roberson Solid Metal Sticks
Starting at: £14.90
Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More -
Gamblin Gamvar Varnish Gloss
Starting at: £14.00
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Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More -
Roberson Matt Medium
Starting at: £37.70
Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More -
Winsor & Newton Retouching Varnish
Starting at: £8.05
Ketone resin/white spirit. White liquid dries to non-yellowing glossy film. Learn More -
Schmincke Mussini Oil Medium 2
Starting at: £7.95
A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.
From the Schmincke website:
Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.
ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin
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Daler-Rowney Artists' Oil Colour
Starting at: £9.30
The distinctive buttery consistency of Daler-Rowney Artists' Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Learn More -
Roberson Mastic Varnish Ordinary
Starting at: £16.00
Roberson Mastic Varnish Ordinary. Unable to send overseas. Learn More -
Lefranc Xavier Egg Medium
Starting at: £9.10
Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.
From their website: The Xavier de Langlais egg medium makes paints more creamy, accelerates their drying time and enables painters to create layers of velvety oil paint with a matt or glossy finish according to the amount used. It creates a matt (8 to 10 drops) or glossy (4 to 5 drops) look. This highly original recipe from Xavier de Langlais comes from early Italian painters who used an egg-based emulsion to set and hold the colour. The wet-look technique is called “tempera” and is perfectly balanced and stable to create perfect brush strokes. We recommend shaking it well before use so that the paint is nice and creamy.
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Cornelissen Lemon Oil
Starting at: £12.30
Lemon oil is an essential oil, primarily used for its scent. Learn More -
Lascaux Hard Resist 500ml
£39.00This resist is painted onto the plate in a thin even layer with a soft flat square-ended brush. When this clear layer is dry it may be coloured or drawn into with etching needles, roulettes and steel wool. The waxy character allows the needle to glide through its surface. After drawing the coloured coating (if used) is removed, the image is stopped out if necessary, then the plate is etched. As the resist is clear the artist can monitor the etching process accurately. Learn More -
Lascaux Studio Bronze Colours 85ml
Starting at: £14.90
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Gamblin Galkyd Medium
Starting at: £11.00
Galkyd is an oil painting medium created by Gamblin. They write:
"Galkyd thins oil colours and increases transparency and gloss. When used in greater proportions with oil colour, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours."
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Liquid Glass Mediums
Starting at: £19.50
Renaissance Materials by Dr. David Cranswick.
A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.
Contains: Damar resin, linseed oil and beeswax (for Satin medium only)
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Winsor & Newton Liquin Original
Starting at: £8.05
From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Winsor & Newton Thickened Linseed Oil
Starting at: £8.05
From the Winsor & Newton website: A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow and gloss. Increases the durability of paint film. Reduces brushstroke retention. Learn More -
Roberson Liquid Metal 250ml
Starting at: £17.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Winsor & Newton Brush Cleaner
Starting at: £4.20
From the Winsor & Newton website: A new addition to the Winsor & Newton range, this water-miscible solvent removes dried oil, alkyd acrylic colour from brushes. Soak in the cleaner overnight scrub if necessary. Cleanable with water.
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Roberson Liquid Metal 500ml
Starting at: £30.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Winsor & Newton Picture Varnish Aerosol
Starting at: £16.10
Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More -
Liquitex Heavy Body 59ml
Starting at: £9.00
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
Lefranc Vibert Picture Varnish
Starting at: £9.10
Ketone and acrylic resin/quick drying petroleum. Reduces risk of soaking through layers. Ideal for large surfaces. Remains flexible without fogging. Learn More -
Schmincke Oil Medium N
Starting at: £8.05
This product does not contain turpentine, and can therefore be suitable for artists with allergies.
From the Schmincke website:
A neutral, nearly non-yellowing, painting and thinning medium for oil colours. Suitable for all painting techniques except for early layers on absorbent undergrounds (not lean enough); has a low impact on drying time. For dilution, use terpin (max. 30%). Dosage: 10 to max. 20%. Contains: alkyd and acrylic resin, mineral spirit.
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Roberson Liquid Metal 30ml
Starting at: £6.40
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Winsor & Newton All Purpose Varnish Aerosol
Starting at: £16.10
Provides clear, non-removable protection of craftwork. Suitable for a variety of surfaces (wood, metal, paper, modelling materials). Contains: Acrylic resin. High Gloss or Matt. Unable to send overseas. Learn More -
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Roberson Beeswax Picture Varnish
Starting at: £8.80
A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More -
Liquitex Soft Body
Starting at: £22.30
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistancy which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour. Learn More -
Maimeri Retouching Varnish Aerosol
Starting at: £13.45
Call to Order
Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old. Unable to send overseas. Learn More -
Liquitex Heavy Body 138ml
Starting at: £15.25
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More
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