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  1. Schmincke Malbutter Oil Medium

    Schmincke Malbutter Oil Medium

    Starting at: £7.00

    A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.

    Learn More
  2. Old Holland Early Oil Colours

    Old Holland Early Oil Colours

    Starting at: £32.00

    Old Holland Early Oil Colours Learn More
  3. Roberson Artists' Oil Colour 120 ml

    Roberson Artists' Oil Colour 120 ml

    Starting at: £17.60

    Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

    Available in 40ml and 225ml tubes

    Zinc White and Titanium White only available in this intermediate size of 120ml

    Learn More
  4. Roberson Satin Picture Varnish

    Roberson Satin Picture Varnish

    Starting at: £7.00

    Ketone resin/standoil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming. Unable to send overseas. Learn More
  5. Lefranc Colourless Medium

    Lefranc Colourless Medium

    Starting at: £7.30

    To speed up drying time and add luminosity and depth to paint film. While stock lasts. Learn More
  6. Schmincke Aqua-Bronze

    Schmincke Aqua-Bronze

    Starting at: £8.85

    Formerly Tro Col, Schmincke Aqua-Bronze is a range of metallic gouache in dry powder form. Mix with distilled water. May also be mixed with acrylic mediums to give a rich colour. Light resistant, but not resistant to humidity. Learn More
  7. Primed Linen Panels

    Primed Linen Panels

    Starting at: £10.50

    Hand-primed pure Belgian linen. Oil or Acrylic (universally) primed. Learn More
  8. Daler-Rowney Pearlescent Ink

    Daler-Rowney Pearlescent Ink

    Starting at: £6.46

    Daler-Rowney Pearlescent Ink Learn More
  9. Rohrer & Klingner Antique Ink

    Rohrer & Klingner Antique Ink

    Starting at: £10.00

    The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More
  10. Burnt Sienna Pigment

    Burnt Sienna Pigment

    Starting at: £4.00

    PBr7

    Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders. 

    Toxicity B

    Learn More
  11. Terre Verte Pigment

    Terre Verte Pigment

    Starting at: £4.00

    Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
    Toxicity B Learn More

  12. Rabbit Skin Glue

    Rabbit Skin Glue

    Starting at: £10.95

    For sizing canvas prior to priming with an oil based primer. Do not use under acrylic primer. Soak overnight in water. Heat in double boiler (do not boil). Ratio water:size 13:1. Use while still warm. Rabbit Skin Glue do not contain any preservatives. 340 - 360 Bloom Learn More

  13. Roberson Ormoline Gilding Medium

    Roberson Ormoline Gilding Medium

    Starting at: £8.40

    Acrylic size, fluid enough to use with dip pen. Pink colour. For gilding onto paper and parchment. Learn More
  14. Burnt Umber Pigment

    Burnt Umber Pigment

    Starting at: £4.00

    PBr7

    Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.

    Toxicity: B

    Learn More
  15. Raw Sienna Pigment

    Raw Sienna Pigment

    Starting at: £4.00

    PBr7

    Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

    Toxicity: B

    Learn More
  16. Rohrer & Klingner Drawing & Calligraphy Ink 250ml

    Rohrer & Klingner Drawing & Calligraphy Ink 250ml

    Starting at: £23.20

    Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 22 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More
  17. Casein Lactic

    Casein Lactic

    Starting at: £18.30

    Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.

    Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.

    Learn More
  18. HMG B72 Restoration Adhesive

    HMG B72 Restoration Adhesive

    £7.70

    B72 Acrylic Adhesive is touch dry in 3-5 minutes, surface dry in 1 hour and hard dry in around 6 hours. Not having instant grab, fragments can be easily re-adjusted and surplus adhesive removed with acetone, making any joint virtually invisible. It’s ideal for repairs to pottery, wood, metal, glass, ivory and many porous substances. 14ml. Learn More
  19. da Vinci Series 122 Cosmotop One Stroke

    da Vinci Series 122 Cosmotop One Stroke

    Starting at: £3.50

    Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More
  20. Raw Umber Greenish Pigment

    Raw Umber Greenish Pigment

    Starting at: £4.80

    PBr7

    Raw Umber Greenish is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.

    Toxicity: B

    Learn More
  21. Pro Arte Series E Hog Fan

    Pro Arte Series E Hog Fan

    Starting at: £5.65

    Used for blending and softening adjacent areas of oil and acrylic colour. Suitable for thicker layers of colour. Learn More
  22. Roberson Liquid Metal Brush

    Roberson Liquid Metal Brush

    Starting at: £12.00

    A high quality multi-purpose golden synthetic fibre brush with plain wood handle and rustproof steel ferrule. This brush was originally developed for use in our testing laboratory and has been specifically designed for use with the Roberson Liquid metal range. The micro fine synthetic bristles ensure a high class smooth finish not available with normal acrylic brushes. It is also excellent for applying both acrylic and solvent based varnishes. Learn More
  23. Omega Series 222 Domed Hog Sash

    Omega Series 222 Domed Hog Sash

    Starting at: £8.80

    Long soft Italian hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. Learn More
  24. Cobalt Violet Light Pigment

    Cobalt Violet Light Pigment

    Starting at: £10.00

    Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.

    Limeproof

    Toxicity: C

    Learn More
  25. Pro Arte Series F Prolene Fan

    Pro Arte Series F Prolene Fan

    Starting at: £6.50

    Soft synthetic haired fan used for blending and softening adjacent areas of oil and acrylic colour. Learn More
  26. Masters Brush Cleaner

    Masters Brush Cleaner

    Starting at: £7.95

    Cleans and restores brushes even when clogged for a year. For oil, acrylic, watercolour. Use with water. Learn More
  27. Schmincke Aerocolour Inks

    Schmincke Aerocolour Inks

    Starting at: £7.05

    A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More
  28. Lefranc Flashe 400 ml

    Lefranc Flashe 400 ml

    Starting at: £28.10

    * Please be advised that some colours have now been discontinued and are only available while stocks last. Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More
  29. Daniel Smith Watercolour Ground Buff Titanium 4oz

    Daniel Smith Watercolour Ground Buff Titanium 4oz

    £10.30

    Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  30. Rohrer & Klingner Drawing & Calligraphy Ink 12ml

    Rohrer & Klingner Drawing & Calligraphy Ink 12ml

    Starting at: £4.70

    Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 24 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More

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