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Roberson Ormoline Medium
Starting at: £7.70
Mix with Roberson Standard Bronze Powders to create metallic paint. 25g powder will make 125ml of paint. Learn More -
Roberson Ormoline Thinner
Starting at: £7.50
Cellulose thinner for paints made with Ormoline Medium. Learn More -
Watercolour paint making set
Starting at: £0.40
A collection of equipment and ingredients useful for making watercolour by hand. This selection of quality materials has been put together for the begginer and intermediate paint maker alike. This set includes:
Equipment to mix the paint and fill watercolour pans:
Glass slab with hardwood stand
Cornelissen small muller
Small (half pan) and large (full pan) watercolour pan
Ingredients to make the watercolour binder :
Roberson Gum Arabic
Roberson Ox Gall
Equipment for painting:
Cornelissen 80a sables brushes in sizes 3 & 6
cermaic palette in flower shape
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Kolner Classic Caselo Casein Paint 500 ml
Starting at: £28.80
Casein-based paint for Gilders, Framers and Decorators. Adheres to most rigid surfaces including furniture, also used as a base coat when gilding on frames. Once dry can be burnished to a soft sheen. Water resistant & non fading. Matt / Satin finish. Learn More -
Roberson Liquid Metal 500ml
Starting at: £30.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Roberson Liquid Metal 30ml
Starting at: £6.40
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Roberson Canada Balsam Medium
Starting at: £21.30
A high quality painting medium which will produce a deep glow, made from Canada Balsam and Turpentine. Especially effective with transparent oil colours, it is recommended as the medium of choice in the final stages of an oil painting. Learn More -
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Roberson Liquid Metal 250ml
Starting at: £17.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Roberson Liquid Metal 5Ltr
Starting at: £225.00
Call to Order
5 Litre containers are not available in the shop, but only as a special order through the website or over the telephone. Learn More -
Treasure Gold
Starting at: £10.80
Treasure Gold is a metallic wax which is unparalleled in restoring gold lead and the finishing touches for antiquing. Blend any of the colours together for just the right shade. Apply with the fingers or a cloth and buff lightly. The metal lustre won't fade or tarnish. It is ready to be polished in ten minutes. Treasure Gold is highly concentrated and is to be used sparingly. A 25g jar will cover approximately 2sq/m. Learn More
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Roberson Gilt Wax Medium
Starting at: £12.00
To use as a medium, mix with burnishable bronze powders in equal parts. Or use to protect imitation leaf, metal, wood, furniture and paintings. Learn More -
Roberson Acrylic Craquelure
Starting at: £33.40
Roberson Acrylic Craquelure. This product has been discontinued and is only available while stocks last. Learn More -
Roberson Liquid Metal Colour Chart Hand Made
£10.00Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are inter-mixable. This is a double sided and hand painted colour chart of the full range. Learn More
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Roberson Series 44B Hog Bristle Filbert
Starting at: £4.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Learn More -
Roberson Series 42B Hog Bristle Flat
Starting at: £4.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Learn More -
Roberson Series 43B Hog Bristle Round
Starting at: £4.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Learn More -
Roberson Series 41B Hog Bristle Bright
Starting at: £4.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Learn More -
Universal Lacquer
Starting at: £10.00
Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More
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Roberson Beeswax Picture Varnish
Starting at: £8.80
A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More -
Cornelissen Larch Venice Turpentine
Starting at: £18.00
Venice Trupentine is a thick, resinous liquid extracted from the Larix decidua, a larch tree native to Austria. It can impart luminosity, brilliance and gloss when used in mediums and varnishes, and as such it was highly valued during the Golden Age of painting in Venice. It is a slow-drying balsam, which can be diluted with turpentine or placed in a bath of warm water to aid flow.
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Roberson Refined Ox Gall
Starting at: £7.90
Wetting agent. Improves flow of watercolours. Add a few drops to the water used to dilute paint. Learn More -
![Roberson Glass muller, medium (7 cm) and small (5 cm) [without logo]](https://cornel.nitbg.com/media/catalog/product/cache/1/small_image/170x/9df78eab33525d08d6e5fb8d27136e95/i/m/img-6584.jpg)
Roberson Glass Mullers
Starting at: £24.50
Roberson Glass Mullers are handmade using high quality-glass.
Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint.
Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting!
NOTE: Sizes may vary slightly as these are handmade products.
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Roberson Exhibition Varnish
Starting at: £6.80
Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit. Unable to send overseas. Learn More -
Studio Safe Retouching Damar Varnish
Starting at: £12.30
Studio Safe Retouching Damar Varnish. Use where dull or sunken areas of a painting need lifting. Learn More -
Roberson Safflower Oil
Starting at: £6.40
Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.
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Roberson Watercolour Palette
Starting at: £19.70
Unfolds to give 3 large mixing surfaces with brush holding slots. Special coating prevents water beading. Folding size 21 x 9 cm (8" x 3.5") Learn More -
Roberson Florentine Medium
Starting at: £9.30
When Roberson Florentine Medium is mixed with oil colour, it is possible to paint freely on textile fabrics, which will stand up to subsequent hand-washing with soap and water. It may also be used when painting with oils on unprepared paper. Learn More -
Roberson Matt Medium
Starting at: £37.70
Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More -
Roberson Linseed Stand Oil
Starting at: £9.40
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.
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