Search results for 'Paint brush'
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Roberson Series 42B Hog Bristle Flat
Starting at: £4.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Learn More -
Omega Series 71 Hog Fitch Filbert
Starting at: £11.80
Soft flat domed Italian hog hair with long flexible bristles and good colour holding capacity. Well suited to flat strokes and blocking in of colour. Ideal for large scale painting. Learn More -
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Roberson Series 43B Hog Bristle Round
Starting at: £4.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Learn More -
Lefranc Gilding Cleaner and Thinner 75 ml
£6.70Lefranc Gilding Cleaner and Thinner 75 ml. Use to thin and reduce gilding viscosity. Use to clean brushes and rollers. Use to strip old dry gilding. Learn More -
Winsor & Newton Series 7 Miniature
Starting at: £17.90
Extra short haired brushes for miniature painting. Kolinsky sable. Learn More
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Omega Series 57 Hog Sash
Starting at: £14.00
Thick flat hog hair brush with sligtly domed shape. Used for thick applications of oil or acrylic paint. Especially good for applying white lead primer to sized linen. Learn More -
da Vinci Series 1875 Nova Filbert
Starting at: £3.25
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Omega Series 1067 Lily Varnish
Starting at: £15.50
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da Vinci Series 1870 Nova Flat
Starting at: £2.70
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da Vinci Series 1670 Nova Round
Starting at: £2.65
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Colour Shapers
Starting at: £6.15
Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and appplying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip. Learn More -
da Vinci Series 5570 Cosmotop Nova Round
Starting at: £3.35
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Omega Series 79 Al Fresco
Starting at: £12.20
Long grey bristle and string ferrule. Holds colour well for fresco painting. Learn More -
da Vinci Series 5519 Squirrel/Sable Liner
Starting at: £22.70
Unusual combination of squirrel body and red sable tip facilitating the painting of long continuous lines. Learn More -
da Vinci Series 122 Cosmotop One Stroke
Starting at: £3.50
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Omega Series 40 Varnish
Starting at: £6.20
Flat soft hog hair in cupro-nickel ferrule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces. Learn More -
Schmincke Mussini Oil Medium 1
Starting at: £7.95
From the Schmincke website:
Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to create transparent layers over gouache, tempera and acrylic paintings; thins without hardly affecting the drying time and gloss. Dosage: 10% to max. 20%
Contains: Safflower oil, natural and synthetic resins, mineral spirit.
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Liquid Glass Mediums
Starting at: £19.50
Renaissance Materials by Dr. David Cranswick.
A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.
Contains: Damar resin, linseed oil and beeswax (for Satin medium only)
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Schmincke Mussini Oil Medium 3
Starting at: £7.95
Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.
From the Schmincke website:
Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.
Contains: aldehyde resin, mineral spirit, siccative, stand oil.
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Schmincke Mussini Oil Medium 2
Starting at: £7.95
A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.
From the Schmincke website:
Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.
ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin
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Casein Lactic
Starting at: £18.30
Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.
Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.
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Roberson Studio Safe Beeswax Medium
Starting at: £14.30
A safe wax medium for impasto effects. This medium retains palette knife marks and brush strokes, remains thick and doubles paint easily, drying to a matt finish.
Studio Safe products are non-aromatic, non-flammable, and have a pleasant orange smell.
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Illumination Gold and Colour Book
£15.00Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More -
Lefranc Xavier Egg Medium
Starting at: £9.10
Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.
From their website: The Xavier de Langlais egg medium makes paints more creamy, accelerates their drying time and enables painters to create layers of velvety oil paint with a matt or glossy finish according to the amount used. It creates a matt (8 to 10 drops) or glossy (4 to 5 drops) look. This highly original recipe from Xavier de Langlais comes from early Italian painters who used an egg-based emulsion to set and hold the colour. The wet-look technique is called “tempera” and is perfectly balanced and stable to create perfect brush strokes. We recommend shaking it well before use so that the paint is nice and creamy.
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Daniel Smith Watercolour Ground Mars Black 4oz
£10.30Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lefranc Oil of Spike
Starting at: £18.10
Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.
From their website: Natural spike lavender oil is obtained by distilling lavender. It evaporates very slowly, making it ideal for producing very precise, transparent brush strokes. It is used to create preliminary sketches. Mixed with a medium, it activates the retarder effect.
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Roberson Matt Medium
Starting at: £37.70
Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More -
Daniel Smith Watercolour Ground Transparent 4oz
£10.30Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Roberson Impasto Medium
Starting at: £14.70
Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.
Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.
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