Search results for 'acrylic'
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Raw Umber Greenish Pigment
Starting at: £4.80
PBr7
Raw Umber Greenish is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.
Toxicity: B
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Pro Arte Series E Hog Fan
Starting at: £5.65
Used for blending and softening adjacent areas of oil and acrylic colour. Suitable for thicker layers of colour. Learn More -
Roberson Liquid Metal Brush
Starting at: £12.00
A high quality multi-purpose golden synthetic fibre brush with plain wood handle and rustproof steel ferrule. This brush was originally developed for use in our testing laboratory and has been specifically designed for use with the Roberson Liquid metal range. The micro fine synthetic bristles ensure a high class smooth finish not available with normal acrylic brushes. It is also excellent for applying both acrylic and solvent based varnishes. Learn More -
Omega Series 222 Domed Hog Sash
Starting at: £8.80
Long soft Italian hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. Learn More -
Rohrer & Klingner Antique Ink
Starting at: £10.00
The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More -
Burnt Sienna Pigment
Starting at: £4.00
PBr7
Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders.
Toxicity B
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Terre Verte Pigment
Starting at: £4.00
Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
Toxicity B Learn More -
Rabbit Skin Glue
Starting at: £10.95
For sizing canvas prior to priming with an oil based primer. Do not use under acrylic primer. Soak overnight in water. Heat in double boiler (do not boil). Ratio water:size 13:1. Use while still warm. Rabbit Skin Glue do not contain any preservatives. 340 - 360 Bloom Learn More
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Roberson Ormoline Gilding Medium
Starting at: £8.40
Acrylic size, fluid enough to use with dip pen. Pink colour. For gilding onto paper and parchment. Learn More -
Burnt Umber Pigment
Starting at: £4.00
PBr7
Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.
Toxicity: B
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Raw Sienna Pigment
Starting at: £4.00
PBr7
Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity: B
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Schmincke Aqua-Bronze
Starting at: £8.85
Formerly Tro Col, Schmincke Aqua-Bronze is a range of metallic gouache in dry powder form. Mix with distilled water. May also be mixed with acrylic mediums to give a rich colour. Light resistant, but not resistant to humidity. Learn More -
Primed Linen Panels
Starting at: £10.50
Hand-primed pure Belgian linen. Oil or Acrylic (universally) primed. Learn More -
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Roberson Matt Glaze Medium
Starting at: £8.50
Mix with tube oils or pigment to improve flow and translucency, resulting in a satin finish. Contains silica driers. May darken if cap is left off bottle; if this happens, replace the lid and leave overnight to restore the colour with no lasting ill effects.
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Cornelissen Copaiba Balsam
Starting at: £12.40
Copaiba Balsam comes from the South American tree Copaifera landsdorfii. Its primary function is to improve the appearance of paint layers that may have become dull, brittle or sunken upon drying. It is a viscous liquid that may be diluted with turpentine, but which should not be used in painting mediums.
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Gamblin Gamblin Mediums Set
£30.00A selection of the Gamblin range of oil mediums.
Contains: 59ml Gamsol; 59ml Refined Linseed Oil; 59ml Neo Megilp; 59ml Galkyd Lite; 59ml Cold Wax Medium; 37ml Solvent-Free Gel
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Roberson Satin Glaze Medium
Starting at: £8.50
Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork. Learn More -
Talens Retouching Varnish Aerosol
Starting at: £13.00
Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry. Unable to send overseas. Learn More -
Winsor & Newton Stand Linseed Oil
Starting at: £8.05
From the Winsor & Newton website: A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks. Increases film durability. Ideal for glazing and fine detail if mixed with solvent.
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Mussini Wooden Box 10 x 35 ml tubes, 1 x 150 ml white
£150.90Schmincke Mussini Dark Wooden Box Set. 10 x 35 ml tubes, 1 x 150 ml white including charcoal, brushes and mediums. Learn More -
Schmincke Mussini Artists' Oil 150 ml
Starting at: £24.65
Schmincke Mussini Artists' Oil 150 ml Learn More -
Roberson Damar Varnish 5 lb Cut
Starting at: £7.30
Roberson Damar Varnish 5 lb Cut. Unable to send overseas. Learn More -
Roberson White Spirit
Starting at: £6.80
Plastic container. Solvent distilled from crude petroleum oils. Used to thin colour and to clean brushes. Slower drying time than turpentine. Learn More -
Lascaux Remover 1L
£37.70Dried resists are removed by immersing the plate in a tray or tank of Lascaux Remover for 15 to 30 minutes. Learn More -
Lefranc & Bourgeois NEW Oil 12 x 20 ml SET
Regular Price: £92.60
Special Price £74.08
20% DISCOUNT. The set includes 12 x 20ml Tubes: Naples Yellow, Japanese Yellow Light, Lefranc Red, Alizarin Crimson, Ultramarine Blue, Space Blue, Permanent Sap Free, Yellow Ochre, Burnt Umber, Transparent Burnt Sienna, Payne's Grey, Titanium White. Learn More -
Gamblin Galkyd Slow Drying Medium
Starting at: £11.00
Galkyd Slow Drying Medium is created by Gamblin. They write:
"Galkyd Slow Dry thins oil colours and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colours to paint wet-into-wet for at least a day."
Please note: This product has been discontinued, while stocks last.
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Winsor & Newton Safflower Oil 75 ml
£8.05From the Winsor & Newton website: A slow drying oil which improves flow, increases gloss and transparency. Particularly suitable for use with whites and pale colours.
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Winsor & Newton Liquin Light Gel
Starting at: £8.05
From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Cornelissen Canada Balsam
Starting at: £20.10
Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.
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