Search results for 'painting'
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Gum Damar
Starting at: £7.50
Damar is a pale, almost colourless tree resin, which is soluble in turpentine, but not in alcohol or mineral spirits. It can be used as a varnish or as a glossy painting medium in conjunction with vegetable oils, and is generally preferable to other resin-based varnishes, such as mastic varnish, as it retains its colourless appearance for a longer period of time. In encaustic painting, the inclusion of damar resin imparts toughness and gloss to the paint surface. Learn More -
Daniel Smith Watercolour Ground Transparent 4oz
£10.30Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Soft Pastels
Starting at: £3.35
Working with Schmincke’s finest extra-soft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery. Multiple Discounts: 10+ Pastels 10% SAVING, 30+ Pastels 17% SAVING Learn More -
Roberson Turcks Aquarella
Starting at: £18.50
For watercolour painting on paper, ivorine, terracotta, wood and fabric. Sizing not needed. Prevents the running of colours, even on open weave fabrics. Learn More -
Schmincke Mussini Artists' Oil Sets
Starting at: £90.00
Schmincke Mussini Artists' Oil Sets Learn More -
Gamblin Gamsol Mineral Sprit
Starting at: £7.50
Gamsol is an odourless mineral spirit created by the American company Gamblin. They describe it as "the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise."
Please see below for Gamsol's primary applications.
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da Vinci Series 5519 Squirrel/Sable Liner
Starting at: £22.70
Unusual combination of squirrel body and red sable tip facilitating the painting of long continuous lines. Learn More -
Verdigris Deep Pigment
£18.00Made to a historical recipe, this Verdigris, unlike others available, has been doubly distilled and therefore more stable than basic Verdigris. This rich green is a translucent pigment with a fine grain.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible.
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Liquid Glass Mediums
Starting at: £19.50
Renaissance Materials by Dr. David Cranswick.
A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.
Contains: Damar resin, linseed oil and beeswax (for Satin medium only)
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Primed Linen Panels
Starting at: £10.50
Hand-primed pure Belgian linen. Oil or Acrylic (universally) primed. Learn More -
Paraffin Wax
Starting at: £6.60
Paraffin Wax is a by-product of the petro-chemical industry. It has a low melting point of 50-60°c and a brittle texture, making it unsuitable for encaustic painting or as an additive to oil paints, but it can be used to impart softness to lithographic crayons. As a petroleum product, it is more inert than animal or vegetable waxes, and is therefore not saponified (turned into soap) by alkali substances. Learn More -
Roberson Cold Pressed Linseed Oil
Starting at: £6.60
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its slight yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More -
Omega Series 1067 Lily Varnish
Starting at: £15.50
Thick hog hair brush or varnishing or painting on a large scale. Learn More -
Roberson Florentine Medium
Starting at: £9.30
When Roberson Florentine Medium is mixed with oil colour, it is possible to paint freely on textile fabrics, which will stand up to subsequent hand-washing with soap and water. It may also be used when painting with oils on unprepared paper. Learn More -
Gamblin Cold Wax Medium
Starting at: £10.30
Cold Wax medium is made by Gamblin. They say:
"Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."
Please see below for more information.
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Kelmscott
Starting at: £13.00
Specially prepared to give a very smooth surface for painting or calligraphy. Learn More -
Liquitex Acrylic Varnish Gloss
Starting at: £17.35
Increases colour brilliance and transparency. Promotes flow and levelling. Use as varnish over varnished painting to add gloss and depth of colour. Non removable. Learn More -
Verdigris Pigment
Starting at: £4.90
Verdigris is an artificial pigment that dates from antiquity. Originally, it was produced by exposing copper to vinegar; nowadays acetic acid is used. It is acidic, so can contribute to the deterioration of paper supports. For this reason, it is more suited to oil or tempera painting than it is to watercolour. In tempera painting, it should be bound in animal glue or isinglass glue rather than egg york. When used in oil painting it should be held in a resin oil or balsam such as Venice Turpentine, as it can turn brown when ground directly into linseed oil. It is a fast-drying, transparent pigment, with a visible crystalline structure.
Larger quantities are available by request.
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Daniel Smith Watercolour Ground Buff Titanium 4oz
£10.30Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Colour Shapers
Starting at: £6.15
Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and appplying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip. Learn More -
Talens Retouching Varnish Aerosol
Starting at: £13.00
Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry. Unable to send overseas. Learn More -
Gamblin Introductory Set
£104.70The Gamblin Introductory Set of Artists' Oil Colours is intended to give painters a thoughtfully constructed palette of colours to support any style of painting. The set is built around a primed, ready to use painting panel handcrafted in the US from sustainably grown birch. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Epping Forest Yellow Ochre Pigment
£12.00This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible.
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Khadi Grey Paper Packs
Starting at: £2.65
Handmade from 100% long fibred cotton rag. Acid free. Deckle edge. Tub sized (surface sized) with gelatine. Learn More -
Gamblin Gamvar Varnish Gloss
Starting at: £14.00
Call to Order
Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More -
Roberson Pure Gum Turpentine
Starting at: £10.50
Slightly less refined than rectified spirit of turpentine. Often preferred as constituent of painting mediums. Learn More -
Cornelissen Larch Venice Turpentine
Starting at: £18.00
Venice Trupentine is a thick, resinous liquid extracted from the Larix decidua, a larch tree native to Austria. It can impart luminosity, brilliance and gloss when used in mediums and varnishes, and as such it was highly valued during the Golden Age of painting in Venice. It is a slow-drying balsam, which can be diluted with turpentine or placed in a bath of warm water to aid flow.
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Schmincke Medium W
Starting at: £8.05
Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.
Dosage: 50%
Thinner: Water
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Schmincke Mussini Oil Medium 3
Starting at: £7.95
Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.
From the Schmincke website:
Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.
Contains: aldehyde resin, mineral spirit, siccative, stand oil.
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Schmincke AQUA Watercolour Primer
Starting at: £13.95
Allows watercolour paint to be used on various surfaces such as canvas, painting boards and wood. Learn More
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