Search results for 'yellow'
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Roberson Gloss Picture Varnish
Starting at: £7.00
B-67/stand oil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming high gloss film. Unable to send overseas. Learn More -
Winsor & Newton Liquin Original
Starting at: £8.05
From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Golden Ochre Pigment
Starting at: £4.50
PY43 Golden Ochre is a natural earth pigment, somewhat darker than Yellow Ochre. It is a semi-transparent, lightfast pigment, that is stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Toxicity: B Limeproof Learn More -
Cadmium Green Pigment
Starting at: £4.50
Cadmium Green is an artificial mineral pigment, a mixture of Cobalt and Cadmium Yellow. It is an opaque, lightfast, slow-drying pigment with a high tinting strength.
Toxicity C
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Mars Violet Pigment
Starting at: £4.50
PR101
Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.
Toxicity: B
Limeproof
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Schmincke Liquid Frisket
Starting at: £4.55
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More -
Natural Beeswax
Starting at: £11.20
Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.
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Lefranc Retouching Varnish Extra Fine
Starting at: £7.80
Acrylic resin/quick drying petroleum. Colourless and non-yellowing. Allows you to touch up ols paintings. Temporary and insulating varnish. Satin finish. Learn More -
Winsor & Newton Liquin Impasto
Starting at: £10.25
From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.
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Lefranc & Bourgeois NEW Oil 12 x 20 ml SET
Regular Price: £92.60
Special Price £74.08
20% DISCOUNT. The set includes 12 x 20ml Tubes: Naples Yellow, Japanese Yellow Light, Lefranc Red, Alizarin Crimson, Ultramarine Blue, Space Blue, Permanent Sap Free, Yellow Ochre, Burnt Umber, Transparent Burnt Sienna, Payne's Grey, Titanium White. Learn More -
Roberson Cold Pressed Linseed Oil
Starting at: £6.60
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its slight yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More -
Lefranc Clear Matt Picture Varnish (LIMITED STOCK)
Starting at: £10.80
Beeswax/Damar resin/rectified turpentine. Dries well and gives perfect transparency and mattness. Flexible with little tendency to yellow. Learn More -
Cobalt Blue Pigment
Starting at: £6.30
PB28
Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners named it to in the late-Middle Ages, as the presence of cobalt ore in the mines made the extraction of silver more difficult. They were possibly also aware of the toxic properties of the mineral that was frustrating their efforts.
Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.
Limeproof
Toxicity: C
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Faber-Castell Brush Pen Basic Set
£17.75Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Cadmium yellow, Chrome Yellow Deep, Phthalo Blue, Carmine, Violet, Olive Green. Learn More -
Orpiment Pigment
Starting at: £12.75
PY39
Orpiment, also called King's Yellow, is a mineral pigment containing naturally occurring sulphide of arsenic. Its high toxicity, and the prevalence of cadmium pigments, means that it is largely obsolete outside the field of restoration. It works best bound in oil or egg tempera, but it is not reliably permanent.
Larger quantities are available by request.
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Carnauba Wax Grey
Starting at: £8.40
Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More -
Aluminium Ready Stretched Screen
Starting at: £39.00
Pre-stretched aluminium screens. Our screens use the highest quality monofilament polyester mesh and are available in 43T (for fabric), 90T (for paper) and 120T (for finest detail on paper). The mesh appears in different colours, white is for fabric and yellow is for the higher mesh counts, the colour this makes registering with stencils underneath the screen easier. The screen is made of quality aluminium with a profile of 20mm x 30mm x 1.2mm thick. Learn More -
Roberson Damar Varnish Low Gloss
Starting at: £7.30
Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More -
Spectrum Linseed Oil Paste
Starting at: £13.60
From the Cranfield website:
An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.
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Winsor & Newton Cold Pressed Linseed Oil
Starting at: £8.05
From the Winsor & Newton website: A slightly yellow oil, which is extracted without the use of heat dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency and brushstrokes. Ideal for grinding pigments. Learn More -
Michael Harding Artists Oils Set of 6
Starting at: £50.20
Michael Harding Artists Oils Set of 6 colours in 40ml Titanium White, Ultramarine Blue, Scarlet Lake, Yellow Lake, Yellow Ochre Deep, Burnt Umber Learn More -
Maimeri Fixative Varnish
Starting at: £13.45
Non-yellowing synthetic resin dissolved in ethyl alcohol. 609 is for use on charcoal, pencil, pastel, watercolour and gouache, 675 is for universal use. Use sparingly to fix and protect your pieces. Learn More -
Leather Hoxton Pencil Pad
Starting at: £94.00
Call to Order
This sketchbook case includes a selection of coloured pencils and an A5 hardback sketchbook, which is easily refillable. This item is generally made to order, but we do have a small selection available in green, red and yellow, so please ring our office if you would like to order one. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Learn More -
Winsor & Newton Artists' Oil Colour 200 ml
Starting at: £32.20
This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More -
Caligo Safe Wash Relief Inks
Starting at: £7.80
Oil-based inks that wash away safely with liquid soap and water. Suitable for all types of relief or block printing, such as woodcut and wood engraving, letterpress and linocut. This range contains less than 1% of driers. For faster drying rates, add a small amount of cobalt or manganese driers. Formulated with excellent light fast pigments for non-toxic printmaking or solvent-free cleaning.
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Liquitex Heavy Body 138ml
Starting at: £15.25
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
Schmincke Akademie Acrylic 500ml
Starting at: £14.30
Schmincke Akademie Acrylic 500ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Unison Small Soft Pastels
Starting at: £4.50
A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More
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Daniel Smith Artists Watercolour 5ml Tube
Starting at: £7.20
The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Gamblin Oil Colours 37ml
Starting at: £9.50
Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
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