Search results for 'black'
-
ArtGraf Tailor Shape Set of 6
£36.00Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, the set contains 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black Learn More -
Roberson Liquid Metal 250ml
Starting at: £17.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Pearl Lustre Pigments 1 kg
Starting at: £94.00
Call to Order
Pearl Lustre Pigments 1 kg. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More -
Prussian Blue Pigment
Starting at: £5.20
PB27
Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.
It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.
Toxicity: B
Learn More -
Lead Red Pigment (Minium)
Starting at: £4.50
PR105
Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.
Toxicity: D
Learn More -
Canson Mi-Teintes Touch Pads
Starting at: £27.75
350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More -
Roberson Liquid Metal 30ml
Starting at: £6.40
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Pearl Lustre Pigments 7g
Starting at: £4.70
Pearl Lustre Pigments 7g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More -
Liquitex Heavy Body 138ml
Starting at: £15.25
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
ArtGraf Watercolour Graphite Small
£9.00 As low as: £8.20ArtGraf Watercolour Graphite Small 20g allows for interesting and very expressive mark making offering an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones Learn More -
Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml
£10.50Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.
Learn More -
Roberson Liquid Metal Acrylic Inks
Starting at: £6.40
Roberson extra fine Liquid Metal Inks for calligaphy and drawing. Apply with dip pen or brush, can be thinned with water if required and will not tarnish. Not suitable for fountain pens or technical drawing pens. Waterproof. Learn More -
Cornelissen Series 1 Kolinsky Sable
Starting at: £11.20
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round. Learn More -
Lascaux Etching Set ARE
£92.70Lascaux ARE Etching Set 3991. Containing one 85ml bottle each of: 2090 Lascaux Hard Resist, 2091 Lascaux Plate-backing Resist, 2092 Lascaux Stop-out Resist, 2093 Lascaux Soft Resist, 2094 Lascaux Wash Resist, 2095 Lascaux Aquatint Spray Resist, 2096 Lascaux Black coating for Hard Resist, 2097 Lascaux White coating for Hard Resist, 2098 Lascaux Remover. Learn More -
Mezzotint Rockers
Starting at: £110.00
Working (rocking) the tool over the plate in a criss-cross fashion will create burrs which produce rich, velvety blacks. Learn More -
-
Clutch Pencil and Sharpener Gift Set
Starting at: £24.50
Call to Order
Classic 5.5mm clutch pencil made from beechwood. Available in natural wood or stained either black or mahogany. Supplied with cube sharpener and HB graphite lead. Packed in a gift box. Learn More
-
Rohrer and Klingner Dokumentus Ink Black 50ml
£25.70Call to Order
Fountain pen inks are typically made with dyes, meaning that they are not lightfast over time. This ink is made with pigment and is both waterproof and lightfast. Designed for fountain pen and for signing official documents which require long term permanence. Made of small diameter micronized pigment. Learn More -
Maimeri Restoration Colours
Starting at: £15.75
Call to Order
33 colours for restoration. Pigments, mastic resin and turpentine. Learn More -
Lefranc Flashe 80 ml
Starting at: £8.65
Call to Order
Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More -
Rohrer & Klingner Liquid Watercolour Inks
Starting at: £9.10
Call to Order
Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More -
Flake White Pigment
Starting at: £18.76
Call to Order
PW1
Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.
It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.
Toxicity: D
Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.
Learn More
Shopping Options
- Category
-
- Pigments, Gums & Resins (15)
- Oils & Acrylics (42)
- Watercolour (26)
- Pastels (9)
- Drawing / Calligraphy (85)
- Gilding & Restoration (9)
- Printmaking (29)
- Brushes (10)
- Paper (10)
- Studio (11)
- Specialist Decorating (7)
- Manufacturer
-
- ArtGraf (6)
- Canson (3)
- Charbonnel (11)
- Cornelissen (34)
- Creta (1)
- Da Vinci (6)
- Daler-Rowney (10)
- Daniel Smith (4)
- e+m (12)
- Faber-Castell (5)
- Fabriano (2)
- Gamblin (4)
- Golden (7)
- Khadi (1)
- Lascaux (5)
- Lefranc et Bourgeois (7)
- Liquitex (4)
- Maimeri (1)
- Michael Harding (2)
- Milliput (1)
- Pelikan (2)
- Pentel (2)
- Pilot (6)
- Rembrandt (1)
- Roberson (14)
- Rohrer and Klingner (13)
- Schmincke (20)
- Spectrum (2)
- Stabilo (3)
- Winsor&Newton (12)
- Talens (1)
- Sennelier (8)
- Higgins (2)
- Rotring (1)
You have no items in your shopping basket.
- Search Brands
-