Search results for 'Paint brushes for acrylic'
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Daler-Rowney Cryla 75ml
Starting at: £8.30
Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More -
Daler-Rowney Cryla 250ml
Starting at: £16.10
Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More -
Zest-it Turpentine Substitute
Starting at: £7.40
Specially formulated non-toxic alternative to conventional thinners. Can be used as a substitute for turpentine. Ideal for asthmatics and those allergic to normal thinners. Reduces lingering smell normally generated by oil painting, has a citrus fragrance. Learn More -
Roberson Matt Medium
Starting at: £37.70
Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More -
Zest-it Oil Painting Medium
Starting at: £6.90
Zest-It Oil Painting Medium improves the flow of oil paint and reduces brush strokes. It is suitable for wet-on-wet techniques, especially suitable for blending and glazing without using varnish. Learn More -
Winsor & Newton Art Painting Medium
Starting at: £8.05
From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing.
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Lefranc Vibert Medium
Starting at: £6.00
LeFranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.
From their website: The slow-drying J.G. Vibert painting medium holds brush marks, creates a painterly satin film and prevents any sinking. It creates a uniform top film and enables artists to rework old colours for long periods of time.
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da Vinci Series 1875 Nova Filbert
Starting at: £3.25
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da Vinci Series 1870 Nova Flat
Starting at: £2.70
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da Vinci Series 1670 Nova Round
Starting at: £2.65
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Omega Series 222 Domed Hog Sash
Starting at: £8.80
Long soft Italian hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. Learn More -
Roberson Liquid Metal 250ml
Starting at: £17.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Omega Series 70 Hog Fitch Round
Starting at: £11.40
Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. Learn More -
Roberson Liquid Metal 30ml
Starting at: £6.40
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
Roberson Liquid Metal 500ml
Starting at: £30.00
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Learn More -
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Omega Series 57 Hog Sash
Starting at: £14.00
Thick flat hog hair brush with sligtly domed shape. Used for thick applications of oil or acrylic paint. Especially good for applying white lead primer to sized linen. Learn More -
da Vinci Series 5570 Cosmotop Nova Round
Starting at: £3.35
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Omega Series 40 Varnish
Starting at: £6.20
Flat soft hog hair in cupro-nickel ferrule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces. Learn More -
Colour Shapers
Starting at: £6.15
Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and appplying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip. Learn More -
da Vinci Series 122 Cosmotop One Stroke
Starting at: £3.50
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Schmincke Mussini Oil Medium 1
Starting at: £7.95
From the Schmincke website:
Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to create transparent layers over gouache, tempera and acrylic paintings; thins without hardly affecting the drying time and gloss. Dosage: 10% to max. 20%
Contains: Safflower oil, natural and synthetic resins, mineral spirit.
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Schmincke Medium W
Starting at: £8.05
Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.
Dosage: 50%
Thinner: Water
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Schmincke Mussini Oil Medium 3
Starting at: £7.95
Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.
From the Schmincke website:
Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.
Contains: aldehyde resin, mineral spirit, siccative, stand oil.
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Schmincke Mussini Oil Medium 2
Starting at: £7.95
A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.
From the Schmincke website:
Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.
ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin
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Schmincke Oil Medium N
Starting at: £8.05
This product does not contain turpentine, and can therefore be suitable for artists with allergies.
From the Schmincke website:
A neutral, nearly non-yellowing, painting and thinning medium for oil colours. Suitable for all painting techniques except for early layers on absorbent undergrounds (not lean enough); has a low impact on drying time. For dilution, use terpin (max. 30%). Dosage: 10 to max. 20%. Contains: alkyd and acrylic resin, mineral spirit.
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Gamblin Gamsol Mineral Sprit
Starting at: £7.50
Gamsol is an odourless mineral spirit created by the American company Gamblin. They describe it as "the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise."
Please see below for Gamsol's primary applications.
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Gamblin Solvent-Free Gel
Starting at: £5.00
Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:
"Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."
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Liquid Glass Mediums
Starting at: £19.50
Renaissance Materials by Dr. David Cranswick.
A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.
Contains: Damar resin, linseed oil and beeswax (for Satin medium only)
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Roberson Impasto Medium
Starting at: £14.70
Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.
Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.
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